James Cameron’s romantic disaster movie spent 17 weeks topping the box office charts on its way to a $2 billion gross and 11 Academy Awards. Not too shabby for such a harrowing experience (and that’s just the love scenes). Not for the last time, you might wish Cameron hired a writer to polish his dialogue. But in 21-year-old Kate Winslet and Leonardo DiCaprio (22) he found the right beautiful young things to bring the love story to life, and when it comes to engineering the shipwreck, the filmmaker is in his element. It was the biggest blockbuster of the decade, and indeed the biggest box office hit of all time* until Cameron’s Avatar (2009). It left an indelible mark on a generation of young moviegoers.
*Gone with the Wind is still champ if you adjust for inflation but Titanic would come in #3
Staff Pick: Abbie
The first spectacle in decades that honestly invites comparison to Gone With the Wind.
Janet Maslin, New York Times
Media Partner
James Cameron
Kate Winslet, Leonardo DiCaprio, Billy Zane, Kathy Bates, Gloria Stuart, Bill Paxton
USA
1997
English
11 Academy Awards, including Best Picture, Director
Violence, coarse language
Open to youth
Book Tickets
Indigenous & Community Access
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Credits
Screenwriter
James Cameron
Cinematography
Russell Carpenter
Editor
Conrad Buff, James Cameron, Richard A. Harris
Original Music
James Horner
Production Design
Peter Lamont
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.
Lessons of Darkness
Werner Herzog's unforgettable documentary reveals the unfolding disaster of the Kuwaitian oil fields in flames in 1991 as a sweeping inferno of mesmerizing power.
Beau Travail
Inspired by Herman Melville's Billy Budd, Claire Denis' transfixing Beau Travail is set in East Africa. Sgt Galoup (Denis Lavant) reflects on his time in the French Foreign Legion, and the impact of the handsome Sentain (Gregoire Colin).
Three Kings
George Clooney headlines David O Russell's bold, brazen attempt to get to grips with the immediate aftermath of Operation Desert Storm, as 4 US soldiers try to liberate a missing shipment of gold amidst the chaos and carnage.
But I'm a Cheerleader
Megan (Natasha Lyonne) is the perfect All-American Girl, or so she thinks. That is until she’s shipped off to conversion therapy. This pitch black comedy is wrapped in a saccharine bow, featuring the icon herself, RuPaul, as a conversion counsellor.
Magnolia
This deeply personal 1999 California opus is ripe for rediscovery. Mapping the emotional traumas of half-a-dozen major characters as they crisscross the San Fernando Valley in search of either recognition or reconciliation, it's PTA's riskiest gamble.
Election
Tracy Flick (Reece Witherspoon) is running for Student President, but Mr. McAllister (Matthew Broderick) has other ideas... This remarkably sour millennial comedy from Alexander Payne (The Holdovers; Sideways; The Descendents) hits twice as hard today.
Ghost Dog: Way of the Samurai
Ghost Dog (Forest Whitaker) is an assassin, but he's also an existential loner who adheres to his personal code. Despite the thriller trappings, this is really a lampoon of that genre, and a melancholy reverie for the cultural melting pot we call home.
The Straight Story
David Lynch goes a different direction in this linear Midwestern about a septuagenarian (Richard Farnsworth) who drives nearly 400km on a lawnmower to visit his ailing brother (Harry Dean Stanton).
90s Surprise Film
The 90s movie we have all been missing... Join us for a celebratory wake for this year's 90s, Baby series! What you will be seeing is top secret (no, not Top Secret!, that was 1984) but it will be at least 26 years old and it will be new to this series.
The Wind Will Carry Us
Kiarostami's dry comic masterpiece follows a Tehrani film team's thwarted attempts to document a traditional Kurdish funeral... Trouble being, there's no one to bury, and, worse, virtually no cell service...
Fight Club
1999 was a very good year for movies, but nothing captured millennial angst quite so vividly as David Fincher's bruising black comedy about what it means to be a man today. This modern classic does everything short of rattling your seat to get a reaction.