James Cameron called it “a stunning work of speculative fiction . . . the first to reach a level of literary excellence”. The Wachowskis used to take a DVD of the movie to pitch their project The Matrix to producers, telling them, “We want to do that — for real.” Ghost in the Shell was the first anime feature to make an impact in North America, and it clearly made a strong impression on American filmmakers. But more than that, it’s a remarkably prescient story which anticipated how AI blurs the lines between man and machine.
2029: Cybernetics are encroaching on what used to be the exclusive domain of human intelligence. When a rogue hacker known as “The Puppetmaster” brings brain-hacking into the political arena, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.
Staff Pick: Juan
Thirty years ago, Mamoru Oshii’s Ghost in the Shell didn’t just debut as a cyberpunk masterpiece; it cracked open the future, peering into a world where identity, consciousness, and technology fused in unsettling ways. As we stand in 2025, submerged in the age of generative AI and biometric surveillance, Oshii’s vision feels less like fiction and more like prophecy.
Wael Khairy, rogerebert.com
This is a work of profound and melancholic beauty; every bit as essential in the 21st century as it was in the 20th.
Robbie Collin, Daily Telegraph
Media Partner
Mamoru Oshi
Atsuko Tanaka, Akio Ôtsuka, Iemasa Kayumi, Kôichi Yamadera
Japan
1995
In Japanese with English subtitles
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Credits
Producer
Yoshimasa Mizuo, Ken Matsumoto, Ken Iyadomi, Mitsuhisa Ishikawa
Screenwriter
Kazunori Itō
Cinematography
Hisao Shirai
Editor
Shūichi Kakesu, Shigeyuki Yamamori
Original Music
Kenji Kawai
Production Design
Takashi Watabe
Art Director
Hiromasa Ogura
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.