Taking a job as a filing clerk on the seventh-and-a-half floor (don’t ask), John Cusack happens across a portal into the head of John Malkovich, the actor. Chivvied along by maneater Catherine Keener, he starts selling tickets to interested parties, but not before his wife (an unrecognisably frumpy Cameron Diaz) has decided she likes being a man so much she needs a sex change operation…
This was the feature debut for director Spike Jonze, after making his name with inspired music videos for the likes of Fatboy Slim and the Beastie Boys, and the first produced screenplay for writer Charlie Kaufman. (They would collaborate again on Adaptation.) There’s real yearning in this darkly bizarre, mind-bending comedy about voyeurism, sex, and the human desire to play God. You can’t get much further out of the box than this.
Staff Pick: Eirinn & Emma
Devilishly inventive and so far out there it’s almost off the scale.
David Rooney, Variety
An incredibly rich and entertaining (not to say, laudably malevolent) film that far transcends its already way-out title premise.
Jonathan Romney, Sight & Sound
Media Partner
Spike Jonze
John Cusack, Catherine Keener, Cameron Diaz, John Malkovich
USA
1999
English
Book Tickets
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Credits
Producer
Michael Stipe, Sandy Stern, Steve Golin, Vincent Landay
Screenwriter
Charlie Kaufman
Cinematography
Lance Acord
Editor
Eric Zumbrunnen
Original Music
Carter Burwell
Production Design
K. K. Barrett
90s, Baby!
Ten years. 11 weeks. 90 films from the 1990s. This summer, 90’s Baby! takes a deep dive into a defining decade of cinema.